Forest Through the Trees is a series of biophilic works built slowly through repetitive, physical acts of weathering and preservation. Fine, raw linen is manipulated with plant- and rock-derived pigments and natural glues until ambiguous entanglements of branches and roots emerge.

Through walking, collecting, and making, I consider vulnerability—within ourselves, our social and environmental climates, and the living systems we inhabit. The work reflects my belief that our relationship with nature is reciprocal: what we attend to and nurture can, in turn, sustain us. As I weather and preserve the linen, enhancing rather than concealing its wrinkles, I am also confronted with my own aging and what it means to sustain agency as a mid-career female artist.

These works ask for slowness. I want the viewer to remain with them long enough to notice their material presence, their fragility and resilience, and the accumulation of labor held within their surfaces.

Click on each image to enlarge.

 
 

Forest Through the Trees 7- Rokusho Nocturne

2025, micronized malachite, black ochre, azurite, mica, soot ink, indigo, root starch, synthetic red pigment on Belgian linen 60” x 40”

 

Forest Through the Trees 11- Nocturne

2026, micronized minerals*, rapeseed ink, clay, root starch on Belgian linen (*local New England limestone, China and Arizona malachite, black ochre)

30” x 30”

 

Forest Through the Trees - Komorebi

2025, micronized malachite, black and yellow ochre, azurite, local New England quartz and mica, soot and walnut inks, Japanese indigo, root starch, cochineal on Belgian linen

30” x 46” (in collection, New York, NY)

 

Forest Through the Trees 3- Shiro Komorebi

2025, micronized minerals, Japanese shell pigment, mica, soot ink, indigo, root starch, canvas collage on Belgian linen (* local New England quartz, limestone, malachite)

58” x 42”

Forest Through the Trees 2- Shiro Komorebi

2025, micronized minerals*, Japanese shell pigment, mica, soot ink, indigo, root starch, canvas collage on Belgian linen (* local quartz, limestone, malachite)

58” x 42”

Forest Through the Trees 6- Shiro

2026, micronized minerals*, Japanese shell pigment, dye, platinum, soot ink, indigo, root starch, red pigment on Belgian linen (* local New England quartz, limestone, ochres, azurite, malachite)

62” x 62”

 

Forest Through the Trees 4- Shiro

2026, micronized minerals*, Japanese shell pigment, dye, platinum, soot ink, indigo, root starch, red pigment on Belgian linen (* local New England quartz, limestone, ochres, azurite, malachite)

62” x 62”

Forest Through the Trees 5- Shiro

2026, micronized minerals*, Japanese shell pigment, mica, soot ink, indigo, root starch, red pigment on Belgian linen (* local quartz, limestone, azurite, malachite)

62” x 62”

 

Forest Through the Trees 3- Shiro

2026, micronized minerals*, Japanese shell pigment, mica, soot ink, indigo, root starch, red pigment on Belgian linen (* local quartz, limestone, azurite, malachite)

62” x 62”